Month: July 2015
Adam Lott is a second year MSI student specializing in Archives and Records Management with an interest in moving-image media. He is also a participant in The Archivists Apprentice series, which follows School of Information students as they complete their internships. You can read his previous posts here and here.
The audio-visual archivist must constantly struggle with the concept of time. We know the numbers: there are millions of assets to be saved, a dozen or so years to save them, and only a handful of professionals who know how to do the saving. Knowing these facts, the field of AV preservation is a harrowing one indeed. And yet, when leaving this year’s International Council on Archives-Section on University Archives and Research Institution Archives (ICA-SUV) conference in Chapel Hill, I did not experience feelings of anxiety or worry. Instead, I felt hopeful and optimistic to be a part of a community that is addressing these problems directly.
This year’s ICA conference focused on the management of audio/visual collections within college/research institutes. I was able to attend this conference due to a bursary, which funded my trip to North Carolina. The conference took place at the University of North Carolina within the Wilson Special Collections Library. Panel presenters represented a variety of institutions, each approaching the “magnetic media crisis” from a unique perspective. Preserving sound and video through digitization is still a new practice with many standards as yet to be established, so it was interesting to see how each institution contributed to the effort. Some presenters focused on the various tools they’ve developed for archives to utilize, such as the AV Preserve’s Cost of Inaction Calculator; a resource that allows archivists to compare the costs of preserving assets to the losses incurred by inaction. Others focused on strategies that challenge the norm, such as Hannah Palin’s “The Magnetic Media Crisis”, which advocates the collaboration between archives so that they may take on similar challenges together. My favorite presentations were the ones outlining the process of building a digitization station. Palin discussed this in great detail, describing who her university (The University of Washington) consulted and how they obtained funding. Christian Lopez of the University of Georgia libraries complemented this presentation by discussing the pitfalls archivists may encounter when attempting to integrate new technology into their systems.
As Richard Szary of the University of North Carolina stated in the closing remarks, “We are faced with reality and we are doing the best we can.” Leaving the conference, I felt privileged to have heard from so many intelligent figures in the field. I was able to approach each attendee casually and learned so much in such a short time. Mostly, I felt humbled to have felt so welcomed within the community, and am excited to soon enter it as a professional.
Adam Lott is a second year MSI student specializing in Archives and Records Management with an interest in moving-image media. He is the latest participant in The Archivists Apprentice series, which follows School of Information students as they complete their internships. You can read his previous posts here.
Cutting Through the Magnetic Tape, Part 2
A common mantra for archivists is “know thy collection.” This is a relevant practice for any archive, however, when dealing with time-based media there should really be an addendum: “Know thy equipment.” Between U-Matic, Betamax, Digibeta, DV Cam, the occasional film reel, and every format in between, appropriate players must be secured, lest you desire a collection of useless plastic. Unfortunately, obtaining this equipment can be a chore in itself. Take the U-Matic tape deck, for instance. What I’ve learned is that these decks are always breaking, are incredibly expensive to replace, and are becoming more and more difficult to come by.
Adam Lott is a second year MSI student specializing in Archives and Records Management with an interest in moving-image media. He is the latest participant in The Archivists Apprentice series, which follows School of Information students as they complete their internships.
Cutting Through the Magnetic Tape, Part 1
Providing deliverable materials to interested users is a goal for many archival institutions. The process of making these collections accessible, however, may very greatly depending on the institution, and the nature of their holdings. The archive within CUNY-TV (a non-commercial public broadcast station) support the 24 hour broadcast of its parent station. Programming must be available on a scheduled basis, so there is a constant need for materials to be accessible to the station engineers. The entire experience has been totally new to me, having previously worked in an archive where patrons come to us, rather than us broadcasting to them.
Elena Colón-Marrero is a second year MSI student specializing in Archives and Records Management and Preservation of Information. She is the latest participant in The Archivists Apprentice series, which follows School of Information students as they complete their internships.
Digging for Buried Treasure
When I got my internship outline in early May I was a bit overwhelmed at everything that I was meant to accomplish. I felt like I was being sent out to sea on a piece of floating wood. Fortunately, my supervisors at the Mudd Library instantly greeted me with support and enthusiasm. They realized that the outline was ambitious. They eased my fears of what could have been treacherous waters by bringing me aboard their ship and outfitting me with all the gear I would need. The first week I learned the ropes and slowly started to inch my dinghy towards the water.
After the first week I was given my first big task: to conduct a survey of the digital media present within the collections that Mudd houses. It was imperative to get an idea of how many floppy disks, CD-roms, DVDs, Zip Disks, etc. are contained in the archive. Unlike an early modern book, you can’t leave digital media on the shelf to preserve it. Different types of digital media are quickly becoming obsolete as technology advances. Extracting the data on those materials needs to be done sooner rather than later.